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nemezis design - what you see here, does not exist

3D Artist, CG generalist

Concept Art - Industrial TV #3

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szeptember 27, 2016

Before post-production...

After post-production...

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Website live - www.nemezis.design

december 03, 2015

Website live: Finally the nemezis.design site is in a state, which can be put live. www.nemezis.design Well maybe some glitches and bugs remaining, but perfection will be reached soon... technically. Beauty remains in the eyes of the beholder.

Keep calm and go on...

Rendering - Sailing boat fittings

május 12, 2017

Realistic rendering of sailing boat fittings A set of fittings was needed for a product datasheet of metal fittings for boats.

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Üzemeltető: Blogger

Copyrights, ownership, design and editing by Zsolt Bágyi

Nemezis Design: Working in mechanic engineering, my interest was quickly drawn to the creation non existing things. Starting from engineering software I soon moved from only plain models to creating realistic materials and renders, because it turned out to be more exciting for me. I developed a passion for 3D art, fiction and visual effect, what I currently pursue beside my daily job

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Nemezis Design - 3D modelling, animation, webdesign

http://www.nemezis.design info@nemezis.design

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Website live - www.nemezis.design

december 03, 2015

Website live: Finally the nemezis.design site is in a state, which can be put live. www.nemezis.design Well maybe some glitches and bugs remaining, but perfection will be reached soon... technically. Beauty remains in the eyes of the beholder.

Keep calm and go on...

Rendering - Sailing boat fittings

május 12, 2017

Realistic rendering of sailing boat fittings A set of fittings was needed for a product datasheet of metal fittings for boats.

Keep calm and go on...

Making of the Ent - Painting

március 25, 2017

Making of the Ent Texture painting Finishing the modelling is a misleading success. Painting Gail was a challenge of its own. So I took the path through the vibrant atmosphere of the woods of rhythm (by putting on some Forestdelic music) and dreamed of colors and patterns to fill the white skin of my canvas to bring it to life. Base Real tree bark Flattened texture Painting the textures started in the park actually. I took my camera and headed for some trees... old trees. My aim was to get a realistic texture basis from where I could go in with variation depending on the surface I wanted. After catching some lovely tree bark and some stones, I headed back to the computer to paint Gails body with some reality. It started with some adjustments in Photoshop. The Gamma value was adjusted, as the colors in the RGB screen space would not reflect how it is in reality. Next I took decreased the level of highlights to make the texture more flat. Real mossy tree

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The Flower - Leaf

december 20, 2015

To continue with the flower, a proper one, especially a stylized one has leaves. Mine will have one oversize leaf as I have further plans with it, but I'll come to that later. To start off again a good outline is needed. Probably everybody could think about 10 different leaf shapes immediately as we see them day by day, but I took a template just to make sure. Especially as I want to model the leaf with its veins. In my opinion, there could be two ways to model such an object. One way is to go the photo realistic way, in that case very good textures are needed, but a less complicated model. Second is a more toony appearance with more detailed model (e.g.: thickness, veins), which needs less or no textures, but a bit more work on the model. I choose the second option for this usage. The template curve will result a nice surface, when filled out. One could think, that this is already enough as leaves material is thin. Indeed and that might be also enough for previously mentione

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Article #2 - Comparing procedural and painted texturing - Painted

január 02, 2017

Comparing procedural and painted texturing Article #2: Painted This article is the is part #2 of my 2 articles to compare procedural and painted texturing. Previously in Part #1 I gave my view on procedural texturing, here we will have a look on painted texturing the same asset. The intro of both articles is identical, but the conclusion of the series is included at the end of part #2. Intro I have been planning to write some articles honoring the 1st year I have spent in training until now to become a 3D artist. As subject of the first 2 essays I thought it would be appropriate to choose something which has given me the most thoughts in the past year. I have been fighting with a couple of things while getting to know different techniques for modeling, shading, lighting, rendering and post production, but from all these one of the few things currently, which seemed to me as a matter of preference instead of the actual progress of an artist on the learning path is the

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Photography - Autumn moments

december 18, 2015

Autumn moments... ... camouflage old and lonely castle

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Concept Art - Industrial TV #1

július 28, 2016

Getting started with the next project: Concept art for a novel - Industrial TV in an icy environment. Should be technically more realistic and retro (no steampunk or too sci-fi). So I took a look at older industrial equipment and started off with basic box with some vents and service openings. Having the base some hinges, screws and handles were created. Then the final details, buttons, screen for viewing and old fashioned bulky camera, voltage meters and speakers.

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Material tests - Aged plastic

szeptember 14, 2016

Another material for the Industrial TV concept. Speaker with an aged plastic material, UV worn, greasy, scratched and cracked surface. Also here no picture based textures used. The project starts to get its final look...

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The Flower - Petals and finalization

december 27, 2015

Step by step I'm getting closer to the intended looks. I was very satisfied with the leaf, however the flower petals can be tricky as well. Again a good start is to look at photos, if necessary get a template. This will be more of a box modelling type of solution compared with the leaf image plane template. This means I'll start off with a simple structure and build in the complexity step by step. As I intend to not give the petal thickness, as it will not be recognized in the scene anyway, a plane will do just fine. Adding adequate divisions to the plane I start with a sine deformation, to get a bit of waviness. Then I draw the plane divisions together to resemble the form of a petal. As mentioned already, this I'll do with keeping the depth of detail in mind, which is necessary for the intended usage. The model is then finalized with cutting the top and bottom to the scene necessities The material in this case resembles a similar toony effect like the leaf. After havi

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