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nemezis design - what you see here, does not exist

3D Artist, CG generalist

Concept Art - Industrial TV #3

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szeptember 27, 2016

Before post-production...

After post-production...

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Making of the Ent - Painting

március 25, 2017

Making of the Ent Texture painting Finishing the modelling is a misleading success. Painting Gail was a challenge of its own. So I took the path through the vibrant atmosphere of the woods of rhythm (by putting on some Forestdelic music) and dreamed of colors and patterns to fill the white skin of my canvas to bring it to life. Base Real tree bark Flattened texture Painting the textures started in the park actually. I took my camera and headed for some trees... old trees. My aim was to get a realistic texture basis from where I could go in with variation depending on the surface I wanted. After catching some lovely tree bark and some stones, I headed back to the computer to paint Gails body with some reality. It started with some adjustments in Photoshop. The Gamma value was adjusted, as the colors in the RGB screen space would not reflect how it is in reality. Next I took decreased the level of highlights to make the texture more flat. Real mossy tree

Keep calm and go on...

Article #1 - Comparing procedural and painted texturing - Procedural

december 28, 2016

Comparing procedural and painted texturing Article #1: Procedural This article is part #1 of my 2 articles to compare procedural and painted texturing. Next in Part #2 I'll give my view on painted texturing, here we will have a look on procedural texturing the same asset. The intro of both articles is identical, but the conclusion of the series is included at the end of part #2. Intro I have been planning to write some articles honoring the 1st year I have spent in training until now to become a 3D artist. As subject of the first 2 essays I thought it would be appropriate to choose something which has given me the most thoughts in the past year. I have been fighting with a couple of things while getting to know different techniques for modeling, shading, lighting, rendering and post production, but from all these one of the few things currently, which seemed to me as a matter of preference instead of the actual progress of an artist on the learning path is the

Keep calm and go on...

Material tests - Stained glass

március 08, 2016

Continuing my material experiments... creating a procedural glass shader with water marks. Why procedural? Good question. I found it too easy to download a texture from the intetnet. The challenge in this is to create something like this on a mathematical basis.

Keep calm and go on...

Üzemeltető: Blogger

Copyrights, ownership, design and editing by Zsolt Bágyi

Nemezis Design: Working in mechanic engineering, my interest was quickly drawn to the creation non existing things. Starting from engineering software I soon moved from only plain models to creating realistic materials and renders, because it turned out to be more exciting for me. I developed a passion for 3D art, fiction and visual effect, what I currently pursue beside my daily job

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Nemezis Design - 3D modelling, animation, webdesign

http://www.nemezis.design info@nemezis.design

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Making of the Ent - Painting

március 25, 2017

Making of the Ent Texture painting Finishing the modelling is a misleading success. Painting Gail was a challenge of its own. So I took the path through the vibrant atmosphere of the woods of rhythm (by putting on some Forestdelic music) and dreamed of colors and patterns to fill the white skin of my canvas to bring it to life. Base Real tree bark Flattened texture Painting the textures started in the park actually. I took my camera and headed for some trees... old trees. My aim was to get a realistic texture basis from where I could go in with variation depending on the surface I wanted. After catching some lovely tree bark and some stones, I headed back to the computer to paint Gails body with some reality. It started with some adjustments in Photoshop. The Gamma value was adjusted, as the colors in the RGB screen space would not reflect how it is in reality. Next I took decreased the level of highlights to make the texture more flat. Real mossy tree

Keep calm and go on...

Article #1 - Comparing procedural and painted texturing - Procedural

december 28, 2016

Comparing procedural and painted texturing Article #1: Procedural This article is part #1 of my 2 articles to compare procedural and painted texturing. Next in Part #2 I'll give my view on painted texturing, here we will have a look on procedural texturing the same asset. The intro of both articles is identical, but the conclusion of the series is included at the end of part #2. Intro I have been planning to write some articles honoring the 1st year I have spent in training until now to become a 3D artist. As subject of the first 2 essays I thought it would be appropriate to choose something which has given me the most thoughts in the past year. I have been fighting with a couple of things while getting to know different techniques for modeling, shading, lighting, rendering and post production, but from all these one of the few things currently, which seemed to me as a matter of preference instead of the actual progress of an artist on the learning path is the

Keep calm and go on...

Material tests - Stained glass

március 08, 2016

Continuing my material experiments... creating a procedural glass shader with water marks. Why procedural? Good question. I found it too easy to download a texture from the intetnet. The challenge in this is to create something like this on a mathematical basis.

Keep calm and go on...

Pebbles in a jar - The Pebble

december 05, 2015

An idea just popped into my mind to spice up the site. Instead of the plank, which more or less a test only, I'll put some pebbles in a jar on the main screen and banish the plank to somewhere else. Easier said than done... how to create pebbles in a jar? Let's start with a single pebble. Create a sphere - done (not even worth a picture) Deform it a bit, not loosing the smoothness of the sphere. I choose a non-linear flare first, which basically transforms the top x-z and bottom x-z while smoothly linking them. Then a bend to add some irregularity And finally a twist, which turns the top compared to the bottom (or any other axis) for further random seeming displacement Shape seems OK, now to the shader I'll start off with a specular, reflective type of material, but only to receive some nice veins within the stone. Generally the stone material will be matte, like usually with water formed stones on beaches or rivers. I add a grainy look to the whole pebble

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Website live - www.nemezis.design

december 03, 2015

Website live: Finally the nemezis.design site is in a state, which can be put live. www.nemezis.design Well maybe some glitches and bugs remaining, but perfection will be reached soon... technically. Beauty remains in the eyes of the beholder.

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Pebbles in a jar - The Jar

december 06, 2015

Simple glass container almost not worth to talk about, however, to give it a twist: I modelled the one we bought at *ghmhm*,which inner side had strange deformation. Probably partly design and partly cheap manufacturing :-) 2 planes had to be created, one slightly smaller to be the inner wall. Inner wall received the strange but simple wave like deformation. Both planes get extruded quite a long way to get smooth and parallel walls - a bit of playing around with the extrude attributes is necessary to get the necessary looks. The inner container wall received some smoothing, just to have more radius around the edges with one click - means no need to define them more detailed, they're just for looks. After this comes the cutting of both objects on the same height level Close the open top border with a fill hole or whatever one may prefer - I added some chips at the top to give it a more realistic feel. However this is optional. The container model is ready, now to the glass

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The Flower - Stem

december 20, 2015

Now to creating something organic. The challenge with forming living things virtually is to make them look alive. There are more ways to reach this (feel free to comment) but currently two things come into my mind: Either I make it look incredibly photo realistic, or I'll try to give it character. Considering the aim of the scene I'll go for the second option. Anyway, the start is the stem of the plant, which is quite universal. Especially as I planned to create a young plant with a flower, in which phase many plants look similar... even if maybe not biologically correct, but that's not really necessary to take in account this time. I just create a base curve, which can be the outline of the stem, which is more or less random looking. Close up models need more details, but not visible details have also not to be modeled, so that fine for me this time. Now a path has to be determined, on which the outline can be expanded. Again a random looking curve, but as many tim

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Material tests - Aged plastic

szeptember 14, 2016

Another material for the Industrial TV concept. Speaker with an aged plastic material, UV worn, greasy, scratched and cracked surface. Also here no picture based textures used. The project starts to get its final look...

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The Flower - Leaf

december 20, 2015

To continue with the flower, a proper one, especially a stylized one has leaves. Mine will have one oversize leaf as I have further plans with it, but I'll come to that later. To start off again a good outline is needed. Probably everybody could think about 10 different leaf shapes immediately as we see them day by day, but I took a template just to make sure. Especially as I want to model the leaf with its veins. In my opinion, there could be two ways to model such an object. One way is to go the photo realistic way, in that case very good textures are needed, but a less complicated model. Second is a more toony appearance with more detailed model (e.g.: thickness, veins), which needs less or no textures, but a bit more work on the model. I choose the second option for this usage. The template curve will result a nice surface, when filled out. One could think, that this is already enough as leaves material is thin. Indeed and that might be also enough for previously mentione

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Making of the Ent - Sculpting

március 19, 2017

Making of the Ent Sculpting The challenge was this time to develop a character and a 3D sculpture from a 2D concept. My subject is Gail, the wicked forest creature of Forestdelic records. Follow me and Gail into the procedure of creating this psychedelic and mystic creature of the woods, where musicians "cook their stuff"... and now a 3D Artist joins the cooking too. This seemed to result as pure fun in creativity and it really did. Intro As said the aim was to create Gail the Ent from a 2D sketch, which is c urrently also the logo of Forestdelic records. Obviously the 3D version of the creature would feature a lot more details than the original logo, with many details, colors and accessories, which meant a great deal of character design included in this challenge. Gail has a distinguished personality, quite some experience in special ingredients needed to create something extraordinary and continuously roams the trails of the musicians. Much of this co

Keep calm and go on...