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nemezis design - what you see here, does not exist

3D Artist, CG generalist

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Photography - Spring impressions

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május 01, 2016

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Photography - Autumn moments

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december 18, 2015

Autumn moments... ... camouflage old and lonely castle

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Copyrights, ownership, design and editing by Zsolt Bágyi

Nemezis Design: Working in mechanic engineering, my interest was quickly drawn to the creation non existing things. Starting from engineering software I soon moved from only plain models to creating realistic materials and renders, because it turned out to be more exciting for me. I developed a passion for 3D art, fiction and visual effect, what I currently pursue beside my daily job

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Nemezis Design - 3D modelling, animation, webdesign

http://www.nemezis.design info@nemezis.design

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Rendering - Sailing boat fittings

május 12, 2017

Realistic rendering of sailing boat fittings A set of fittings was needed for a product datasheet of metal fittings for boats.

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Making of the Ent Texture painting Finishing the modelling is a misleading success. Painting Gail was a challenge of its own. So I took the path through the vibrant atmosphere of the woods of rhythm (by putting on some Forestdelic music) and dreamed of colors and patterns to fill the white skin of my canvas to bring it to life. Base Real tree bark Flattened texture Painting the textures started in the park actually. I took my camera and headed for some trees... old trees. My aim was to get a realistic texture basis from where I could go in with variation depending on the surface I wanted. After catching some lovely tree bark and some stones, I headed back to the computer to paint Gails body with some reality. It started with some adjustments in Photoshop. The Gamma value was adjusted, as the colors in the RGB screen space would not reflect how it is in reality. Next I took decreased the level of highlights to make the texture more flat. Real mossy tree ...

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Article #2 - Comparing procedural and painted texturing - Painted

január 02, 2017

Comparing procedural and painted texturing Article #2: Painted This article is the is part #2 of my 2 articles to compare procedural and painted texturing. Previously in Part #1 I gave my view on procedural texturing, here we will have a look on painted texturing the same asset. The intro of both articles is identical, but the conclusion of the series is included at the end of part #2. Intro I have been planning to write some articles honoring the 1st year I have spent in training until now to become a 3D artist. As subject of the first 2 essays I thought it would be appropriate to choose something which has given me the most thoughts in the past year. I have been fighting with a couple of things while getting to know different techniques for modeling, shading, lighting, rendering and post production, but from all these one of the few things currently, which seemed to me as a matter of preference instead of the actual progress of an artist on the learning pa...

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Material test - Renderman 21

február 11, 2017

Just made some tests with the new Renderman21 engine and to be honest I was quite impressed. There are loads of presets for simple materials, which already look nice with the default render settings. So I just trew in a few models and hit render and this was the result. It might not be perfect, but again, this is without putting any effort in anything really.

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Article #1 - Comparing procedural and painted texturing - Procedural

december 28, 2016

Comparing procedural and painted texturing Article #1: Procedural This article is part #1 of my 2 articles to compare procedural and painted texturing. Next in Part #2 I'll give my view on painted texturing, here we will have a look on procedural texturing the same asset. The intro of both articles is identical, but the conclusion of the series is included at the end of part #2. Intro I have been planning to write some articles honoring the 1st year I have spent in training until now to become a 3D artist. As subject of the first 2 essays I thought it would be appropriate to choose something which has given me the most thoughts in the past year. I have been fighting with a couple of things while getting to know different techniques for modeling, shading, lighting, rendering and post production, but from all these one of the few things currently, which seemed to me as a matter of preference instead of the actual progress of an artist on the learning path is...

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Making of the Ent - Sculpting

március 19, 2017

Making of the Ent Sculpting The challenge was this time to develop a character and a 3D sculpture from a 2D concept. My subject is Gail, the wicked forest creature of Forestdelic records. Follow me and Gail into the procedure of creating this psychedelic and mystic creature of the woods, where musicians "cook their stuff"... and now a 3D Artist joins the cooking too. This seemed to result as pure fun in creativity and it really did. Intro As said the aim was to create Gail the Ent from a 2D sketch, which is c urrently also the logo of Forestdelic records. Obviously the 3D version of the creature would feature a lot more details than the original logo, with many details, colors and accessories, which meant a great deal of character design included in this challenge. Gail has a distinguished personality, quite some experience in special ingredients needed to create something extraordinary and continuously roams the trails of the musicians. Much of this co...

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Concept Art - Industrial TV #3

szeptember 27, 2016

Before post-production... After post-production...

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The Flower - Leaf

december 20, 2015

To continue with the flower, a proper one, especially a stylized one has leaves. Mine will have one oversize leaf as I have further plans with it, but I'll come to that later. To start off again a good outline is needed. Probably everybody could think about 10 different leaf shapes immediately as we see them day by day, but I took a template just to make sure. Especially as I want to model the leaf with its veins. In my opinion, there could be two ways to model such an object. One way is to go the photo realistic way, in that case very good textures are needed, but a less complicated model. Second is a more toony appearance with more detailed model (e.g.: thickness, veins), which needs less or no textures, but a bit more work on the model. I choose the second option for this usage. The template curve will result a nice surface, when filled out. One could think, that this is already enough as leaves material is thin. Indeed and that might be also enough for previously mentione...

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Material tests - Stained glass

március 08, 2016

Continuing my material experiments... creating a procedural glass shader with water marks. Why procedural? Good question. I found it too easy to download a texture from the intetnet. The challenge in this is to create something like this on a mathematical basis.

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Pebbles in a jar - The Pebble

december 05, 2015

An idea just popped into my mind to spice up the site. Instead of the plank, which more or less a test only, I'll put some pebbles in a jar on the main screen and banish the plank to somewhere else. Easier said than done... how to create pebbles in a jar? Let's start with a single pebble. Create a sphere - done (not even worth a picture) Deform it a bit, not loosing the smoothness of the sphere. I choose a non-linear flare first, which basically transforms the top x-z and bottom x-z while smoothly linking them. Then a bend to add some irregularity And finally a twist, which turns the top compared to the bottom (or any other axis) for further random seeming displacement Shape seems OK, now to the shader I'll start off with a specular, reflective type of material, but only to receive some nice veins within the stone. Generally the stone material will be matte, like usually with water formed stones on beaches or rivers. I add a grainy look to the whole pebble...

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